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| WINTER LIGHT (1963) | |
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Winter Light is the second film after Through a Glass Darkly. Pastor Ericsson (Gunnar Björnstrand) is suffering an enduring cold and he must hold mass for an ever-shrinking congregation as he is facing a spiritual crisis of his own. After the mass, Pastor Ericsson attempts to withdraw due to his cold, but is confronted by Jonas Persson's wife. It appears that Jonas (Max von Sydow) is suffering from severe anxiety and depression. However, Pastor Ericsson is inept in helping Jonas's emotional distress and instead addresses his own divine doubts about God. The pastor is also pondering his current affair with Märta (Ingrid Thulin) that he is thinking of ending, but Märta insists that they should continue to see each other. As a result, Pastor Ericsson is meditatively squeezed in between God and Märta as he has difficulty deciding on what he wants. He desires Märta's love as he knows it offers him comfort on a daily basis, but it goes against his ideal perspective of how to serve as a minister. Winter Light is not as grandiose as Bergman's earlier films (e.g., Naked Night and Seventh Seal). It is apparent that he has taken a new path as he is directing this film in a much smaller milieu. The setting is a personal place where catharsis is permitted without interruptions as Pastor Ericsson is facing his own demons. Winter Light serves as an enlightening and purgative link between Through a Glass Darkly and Silence. In the end, Winter Light offers an ultimate cinematic experience for self-reflection as it opens doors where questions must be asked. |
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Sweden |
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| REVIEWED | |
| 12/11/2003 | |
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The Internet Movie Database. |