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| BEFORE Sunset (2004) | |
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Almost a decade later two adrift souls reconnect after a literature soirée at one of Paris' infamous bookshops where cats and coffee
belong to the mystique.
These two individuals are Celine (Julie Delpy) and Jesse (Ethan Hawke) who now are wiser and simpler while their lives have actually become more
complex. Despite the complications in their lives, their reunion awakens old emotions from
a day in Vienna some nine years ago when they toured the city and each other.
This time they only have a mere 60 minutes, as Jesse has to fly back to the United
States like he did 9 years ago.
With no time to lose they begin to converse, as no time has passed since last.
Yet, both feel the pressure of time constraints, as they feel time breathing down their neck. This anxiety
is caused by the ticking of time while they know that can only say so much, and they must wisely choose what to say.
Interestingly the story brings the audience through a short verbal venture that recaps what has happened to them during the time between now and when they were supposed to have met in Vienna after their first encounter. Through their personal narrations of what they have been up to, feelings and personal thoughts seep through the walls of tension that they both try to keep up in order to protect themselves and their presence. As the minutes evaporate, personal concerns filter through cerebral stress and anxiety that rests on a limited foundation of expiring time. An emotional distillation of verbal expression concentrates on what is important, yet they repress any emotional outburst, as they lean on their social and personal values. This becomes a balancing act between fear and desire, as they both care for one another they do not want to offend the other, yet they desire to tell what is eating them inside. Delpy and Hawke perform in a brilliant manner, as they depict a
delicate balancing act between what they desire and fear of loosing –
each other. The director Richard Linklater depicts the meeting with intense verbal outlet and touching delicacy where the honesty of words are covered in a jumble of
emotion that confuses and bewilders both.
This is where the true brilliance of the film rests, as Linklater captures the essence of the reunion.
They desire each other, yet cannot say, as fear of possible pain that could visit them
again if sudden erotic feelings were expressed. Visualized pauses and awkward silence illustrates the duality of the moment where genuine
emotion and logic crashes into the wall of
apprehensive tension. Nonetheless, random moments of Freudian feelings pop up without warning, which lightens up the mood between
Celine and Jesse. These moments depict the subconscious ability to surprise where repressed
honest feelings infiltrate the anxious consciousness. There is a continuous level of serenity within the story that Linklater captures by filming the story of a summer evening in the Paris sun. The friendly atmosphere between Celine and Jesse combined with the easy flow of the camera from location to location without any sudden movement helps to induce this tranquility. The calmness within the story suggests that there is something special going on between Celine and Jesse, but maybe it is too late, as they already have their lives in Paris and New York. Nonetheless, the unbroken serenity provides a notion of something special, yet it also seems as if this calmness stirs up strong emotional currents from the past, which could be very hurtful. The story does not provide any climatic moments. It merely continues, as the clock keep ticking pressuring them about the expiring time. Before Sunset is a wonderful film about moments and opportunities in the light of signs and symbols that offer a chance to see the truth--the truth of what one wishes and desires while time rapidly warns that there is no time to loose. An inner voice whispers, carpe diem, while logic tells one to ponder the long term effects. This occurs while wisdom offers a middle path where one should follow one's own heart without listening to fear, or temporary pleasure. All of this is shrewdly tailored in a cinematic experience that takes brilliant consideration to script, cinematography, performances, and mise-en-scene, which in the end presents truly great cinematic experience. |
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DIRECTED BY |
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| Richard Linklater | |
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COUNTRY |
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USA |
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| REVIEWED | |
| BY KIM ANEHALL – 4/20/2005 | |
| GRADE | |
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The Internet Movie Database. |